Jonathan Crane (Scarecrow) (
nothing_to_fear) wrote2012-04-17 08:13 pm
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d'enanigans: is calling it "the climax" too on point?
This house has a very pleasant room for receiving honored guests.
In the fashion of House Shahrizai, the walls are richly tapestried (though not in identifying colors) and the couches are soft, finely upholstered. He has ordered the servants to stand ready with wine and light refreshment, and readier still to act should negotiations sour.
Jonathan sent a man to wait for Brix; he himself went upstairs to check on Matthieu. Finding him asleep, but well enough and in no danger, he returned to this room to wait.
He is reading a book of plants and their uses as they come in to light the torches.
In the fashion of House Shahrizai, the walls are richly tapestried (though not in identifying colors) and the couches are soft, finely upholstered. He has ordered the servants to stand ready with wine and light refreshment, and readier still to act should negotiations sour.
Jonathan sent a man to wait for Brix; he himself went upstairs to check on Matthieu. Finding him asleep, but well enough and in no danger, he returned to this room to wait.
He is reading a book of plants and their uses as they come in to light the torches.
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He thinks briefly of what she would do to him if he ever planned on meeting her again.
"She will be disappointed, I'm sure, by her cousin's broken engagement. And the loss of a Servant of Naamah."
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"I'm sure."
Havelock steps in idly, scrutinising Jonathan's face.
"Who else?"
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"Henri Shahrizai de Brest."
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He continues drawing slowly closer, frowning slightly.
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"Matthieu was an accident. A casualty, as it were."
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Visibly.
"A casualty in the cause of what?"
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(Consider this a warning, Grue de Agen.)
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"There was cause to believe he might learn my methods," he says. "Or my intentions. My benefactors thought it better if he were removed from the City of Elua."
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"What intentions were these?"
We'll get to the methods in a moment.
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But yes.
Quite.
"To wed the lady Brix," he replies, mild, "and gain access to her resources."
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"Truly a goal worth risking execution for."
(Sorry for the sarcasm, Brix! But given that Jonathan clearly doesn't care about her in the slightest, Havelock doesn't feel guilty.)
"In order to do what?"
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"Eventually, my task was to poison her."
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"With what?"
And for love of Elua, why?
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"Matthieu has tasted it for himself. Are the ingredients of interest to you, or merely the effects?"
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"Terror, dread, strained nerves. Bad dreams. Fever and confusion. It varies, with dosage and individual."
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Since Matthieu had trouble staying awake.
He can think about a poison that deliberately induces terror later.
When he isn't holding a whip within reach of the man's unprotected face.
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Fear is natural.
He likes to think it makes him sharper.
"Perhaps," he allows.
"Though I would call it exhaustion."
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And if so... why use something so specific?
Apart from Grue de Agen's apparently partiality for such suffering.
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Jonathan's expression now is not quite a smile-- blame the proximity of the whip, perhaps.
"It is intended to unsettle. Permanently."
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Then,
"Who were the other targets to be?"
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"Other targets?"
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Even without the complexity of the poison - the plotting for a marriage, going so far as to kidnap Matthieu on the off chance he might see something...
It's too much.
Unless various members of house Shahrizai plus Jonathan Grue de Agen are utter fools, but he thinks not.
His voice is hard.
"Who?"
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Poisons and plans are one thing, but plotting against the realm itself ...
It's a question of whether it is better to preserve some of House Shahrizai's secrets, and somehow attempt to leverage that against everything he's already given away, or to cooperate.
It's not that he expects protection; rather, the opportunity to slip away.
"There was but one I was made aware of," he says slowly.
"The royal archivist."
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