Jonathan Crane (Scarecrow) (
nothing_to_fear) wrote2012-04-17 08:13 pm
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d'enanigans: is calling it "the climax" too on point?
This house has a very pleasant room for receiving honored guests.
In the fashion of House Shahrizai, the walls are richly tapestried (though not in identifying colors) and the couches are soft, finely upholstered. He has ordered the servants to stand ready with wine and light refreshment, and readier still to act should negotiations sour.
Jonathan sent a man to wait for Brix; he himself went upstairs to check on Matthieu. Finding him asleep, but well enough and in no danger, he returned to this room to wait.
He is reading a book of plants and their uses as they come in to light the torches.
In the fashion of House Shahrizai, the walls are richly tapestried (though not in identifying colors) and the couches are soft, finely upholstered. He has ordered the servants to stand ready with wine and light refreshment, and readier still to act should negotiations sour.
Jonathan sent a man to wait for Brix; he himself went upstairs to check on Matthieu. Finding him asleep, but well enough and in no danger, he returned to this room to wait.
He is reading a book of plants and their uses as they come in to light the torches.
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Currently, he's scrabbling to get his knife to her throat.
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But not before Brix manages to twist her hand in the front of his tunic and press the edge of her flechette to the pulse-point under his jaw.
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(Davien has tactically retreated with Matthieu to an empty room nearby, because getting into a fight while encumbered with someone half-conscious is just stupid.
Also, Havelock nĂ³ Mandrake's expression has just gone so utterly blank that he's quite glad to remove himself.)
"You are outmatched, Grue de Agen," the courtesan says coolly. He has a sword in one hand, but it's the other he half-raises - holding the coils of a worn but functional-looking whip as if it an extension of his arm.
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Their standoff may be ridiculous, but it's the best he has.
His gaze flicks to the interloper, whom he recognizes-- trap, it was a trick. Hoarsely, Jonathan laughs.
"Am I?"
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"If you think a blade to my throat is a threat, messire, you don't know me well enough at all."
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This seems to be directed at Havelock, though Jonathan's not letting Brix out of his sight.
"I doubt he feels very sociable right now."
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Neither of the guards twitch, but keep Jonathan's servants covered.
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"If I die screaming," he murmurs, "I won't be able to help him."
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"Depends what you scream."
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"Interrogate them if you must, of course. And as for myself ..."
His lips twitch.
"If you plan to kill me, I'd rather it be quick."
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He cannot speak for the royal guards, of course.
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"Well. That is a tempting offer."
"My lord," one of the servants begins, but Jonathan cuts across him mildly: "Stand down."
The two Shahrizai retainers look at each other.
Slowly, they lower their weapons.
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(It really isn't. He just wanted a hand free, and the whip is more versatile.)
"Good decision."
If a little disappointing.
"Allow Brix to step back, and drop the knife."
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"What did you give to Matthieu?" he asks evenly.
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Jonathan still hasn't let the knife drop, though it hangs loose in his fingers.
"But I can set him to rights. That I guarantee."
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He doesn't take his eyes off Jonathan, but for the moment seems to be ignoring what he says.
"Would you take a look at Matthieu for me? Davien knows to expect you. And before you do, is there anything I should know to ask?"
Brix is no chirurgeon, he knows, but she has more expertise than he in these matters.
And he has no intention of letting Grue de Agen within reach of Matthieu ever again if he has the choice.
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She gives Grue de Agen a hard look.
"Find out who paid him, if you please."
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Three armed men against one armed and two unarmed; of the three, none need come within range of Jonathan's knife to be effective.
Pity.
He watches Havelock nĂ³ Mandrake with careful attention.
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(It would be nice, perhaps, to think that Havelock had never seen anyone searching for ways out before.
But people come to Mandrake for all kinds of reasons.)
"So you're someone else's hand in this," he says conversationally. "I'm really not sure if that's better or worse. Who are they?"
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