Jonathan Crane (Scarecrow) (
nothing_to_fear) wrote2012-04-17 08:13 pm
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d'enanigans: is calling it "the climax" too on point?
This house has a very pleasant room for receiving honored guests.
In the fashion of House Shahrizai, the walls are richly tapestried (though not in identifying colors) and the couches are soft, finely upholstered. He has ordered the servants to stand ready with wine and light refreshment, and readier still to act should negotiations sour.
Jonathan sent a man to wait for Brix; he himself went upstairs to check on Matthieu. Finding him asleep, but well enough and in no danger, he returned to this room to wait.
He is reading a book of plants and their uses as they come in to light the torches.
In the fashion of House Shahrizai, the walls are richly tapestried (though not in identifying colors) and the couches are soft, finely upholstered. He has ordered the servants to stand ready with wine and light refreshment, and readier still to act should negotiations sour.
Jonathan sent a man to wait for Brix; he himself went upstairs to check on Matthieu. Finding him asleep, but well enough and in no danger, he returned to this room to wait.
He is reading a book of plants and their uses as they come in to light the torches.
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Jonathan sets his book aside, rising fluidly to bow.
"My lady. I'm so glad you've come." A faint smile. "Would you care for anything?"
He himself has touched neither wine nor food.
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The servant who led her in has come to stand unobtrusively to the side, a little behind Jonathan-- at an advantageous place to fetch more wine or refill goblets, if only one of them were thirsty.
There seems to be a man by the door as well.
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"What are you afraid I might do?" she asks finally, taking a seat opposite him, very stiff and upright. "Massage you and your men into a stupor?"
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"Matthieu. Where is he?"
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"He's perfectly all right."
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"Naturally. You may catch him sleeping, I'm afraid, but if that will satisfy you--"
The servants do not accompany them, but there's a man at the foot of the broad stairs, and one posted by the door upstairs, in a hallway that seems to turn in on itself.
At a nod from Jonathan, the man opens the door. The room is in darkness, but the light from the hall illuminates a figure on the bed, very still.
(There's a chair, too, but if there were ever any ropes, scarves, or other forms of binding attached to it, they've been put away.)
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Her training was in Balm House, and though she's no chirurgeon, she knows how to look for injury, for sickness, for pain even in sleep. Her fingers brush over Matthieu's hair, touch his brow, feel for a pulse beneath his jaw.
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(Jonathan thought, all things considered, it would be best if he slept through these negotiations. Of course, poisons are delicate creatures; he thought it best to give him only a light dose to make him sleep.
The Eluine Cycle holds that it ought to be valerian.
The fact amuses him.)
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Jonathan, for his part, simply stands at the doorway, far back enough to avoid blocking the light.
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She shouldn't stay here. Havelock and the guards will be finding their way into the house soon. She wants Grue de Agen's attention, and that of his servants, on her, not on this room.
When she stands, she closes her eyes, presses her hand against her mouth, and manages shakily, "I think perhaps I would like that wine now. Is he well?"
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He is watching her, albeit with somewhat detached interest.
"He'll be well enough when he wakes. Within the next few hours, I'd imagine."
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"Ah, my lady, provided we manage to come to an agreement, he shall remain well."
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"I had to be sure you would come."
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After a moment: "Surely a letter would have sufficed."
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